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Rebecca Belmore Born March 22, 1960, Upsala, Ontario, Canada SOLO EXHIBITIONS 2003 The Named and The Unnamed, Art Gallery of Ontario Pari Nadimi Gallery 33 pieces, Small Town Girl and a Dream about Peace, performance Definitely Superior, Thunder Bay 33 pieces, WKP Gallery, Capital Centre, North Bay 33 pieces, Parry Sound Station Gallery, Parry Sound2002 Rebecca Belmore, Morris and Helen Belkin Art Gallery, Vancouver, BC, installations 33 pieces Dunlop Gallery, Regina, Saskatchwan Crimes of Passion in Paradise and Beyond, Centre for Caribbean Contemporary Art Port of Spain, Trinidad, performance 2001 33 pieces, Blackwood Gallery, Mississauga, Ontario, installation Private Collection, Pari Nadimi Gallery, Toronto, Ontario Reservoir, Grunt Gallery, Vancouver, BC, performance 2000 The Indian Factory (performance/installation) Tribe/AKA Gallery, Saskatoon, Saskatoon on this ground (installation), Rhode Island Museum of Art, Providence, Rhode Island 1999 Many/One,(installation) Galerie Optica, Montreal, Quebec Dreamers (installation) Keyano College Art Gallery, Fort McMurray, Alberta Don_t take your guns to town (performance), University of New Brunswick, Fredericton, New Brunswick 1998 Untitled, Sacred Circle Gallery, Seattle, Washington1996 Ayumee-aawach Oomama-mowan: Speaking to Their Mother ((gathering/ performance), Assembly of First Nations, Ottawa, Ontario 1995 Tourist Act # 1(performance) Institute of American Indian Art Museum, Santa Fe, New Mexico 1993 Wana-na-wang-ong (installation), Contemporary Art Gallery, Vancouver, British Columbia Nah-doe-tah-moe-win: Means an Object that You Listen To (performance/installation) Saw Gallery, Ottawa, Ontario Nah-doe-tah-moe-win: Means an Object that You Listen To. (performance/installation), Niagara Artists’ Center, Saint Catherines , Ontario 1992 Ayumee-aawach Oomama-mowan: Speaking to Their Mother(gathering/performance), national tour 1988 Artifact 671B, Thunder Bay, Ontario, performance in support of Lubicon Cree boycott of Olympic Flame SELECTED GROUP EXHIBITIONS 2003 Mississauga Art Gallery, Mississauga, Ontario, photographs 2002 Far Horizon, Vancouver Art Gallery, BC,site-specific installation: to a faraway place Permeable Borders, Wave Hill, Glyndor Gallery, Bronx, NY., installation: superpower Talking Stick Aboriginal Arts Festival, Full Circle, Vancouver, BC, performance: Vigil2000 I, Witness, Edmonton Art Gallery Edmonton, Alberta, installations, Many/One, in memory High Tech Storytellers, Interdisciplinary Arts Festival, TRIBE/AKA, Saskatoon, Saskatchewan,The Indian Factory Material Culture, Paris Gibson Square Museum, Great Falls, Montana, installation: Many/One, performance: Bury My Heart 1999 Time Time Time, FADO, Toronto, Ontario, performance, manifesto 1998 Sydney Biennal, Sydney, Australia, installation, Paradise Canadian Performance Art Tour, Germany, performances (various) 1997 The Red River Crossing, The Swiss Art Institute, New York, New York, installation, Us. With a Landscape. 7a-11d Performance Festival, Toronto, Ontario, performance, for Dudley InSite 97, San Diego, California, installation, Awasinake: On the Other Side 1996 Liaisons, The Power Plant, Toronto, Ontario, installation, Temple Metissages, Galerie Optica, Montreal, Quebec, installation (with Florene Belmore), Imposition 1995 Longing and Belonging: From the Faraway Nearby, Site Santa Fe, Santa Fe, New Mexico installation, New Wilderness, performance, From the Same Earth 1994 Affiliation/affliction, Recontre internationale d_art performance de Quebec, Le Lieu, Quebec, performance (with Reona Brass), 6th Native American Fine Arts Invitational The Heard Museum, Pheonix, Arizona, installation, a blanket for "sarah" Faret Tachikawa Art Project, Art Front Gallery, Tokyo, Japan, permanent public installation: I wait for the sun History 101: The Re-Search for Family, Forum for Contemporary Art, St. Louis, Missouri installation: X mark 1993 Marginsofmemory, Art Gallery of Windsor, Windsor, Ontario, sculpture, Rising to the Occasion Stand, Erie Art Museum, Erie, Pennsylvania, Shifting the North Line: 16 Pictures 1992 Land Spirit Power, National Gallery of Canada, Ottawa, Ontario, installation, Mawu-che-hitoowin: A Gathering of People for Any Purpose Indian Princesses and Cowgirls: Stereotypes from the Frontier, Oboro, Montreal, Quebec performance: Road Trip West Bienal de la Habana, Habana, Cuba, performance: Untitled 1991 Between Views, Walter Phillips Gallery, Banff, Alberta, gathering/performance, Ayumee-aawach Oomama-mowan: Speaking to Their Mother Interrogating Identity, Grey Art Gallery, New York University, New York sculptures, Rising to the Occasion Okanata, A Space, Tornto, Ontario, August 29, 1990 A likeness, Agnes Etherington Art Center, Kingstone, Ontario, An Introspective 1990 Biennale d_art de actuel, Quebec, Quebec, performance, August 29, 1990 Multi-Media Workes: A Native Perspective, AKA Gallery, Saskatoon, Saskatchewan,Nah-tah moe-win: Means an Object That You Listen To Telling Things, Art Metropole, Tornto, Ontario, Nah-doe-tah-moe-win: Means an Object That You Listen To Young Contemporaries 90, London Regional Art Gallery, Ontario, Nah-doe-tah-moe-win: Means an Object That You Listen To, Ihkwewak Kayamihwat: Means Women Who Are Speaking ) SELECTED TWO PERSON EXHIBITIONS 2003 Shelley Niro, Rebecca Belmore, Norman Mackenzie Art Gallery, Regina, Saskatchewan various installations Bentley Spang, Rebecca Belmore,, Fado, Toronto Ontario, performance, untitled SELECTED ARTICLES AND REVIEWS 2002 Sarah Milroy, Trauma and triumph, The Globe and Mail (Saturday, October 8, 2002) Robin Laurence, The Art of Rebecca Belmore, BorderCrossings, (Voume 21 number 3, Issue No.83, spring 2002 Laurence, Robin, Racing Against History: the Art of Rebecca Belmore,"BorderCrossings, Issue no. 83, 2002, p.42-48. 2001 Fischer, Barbara, and Dot Tuer "33 pieces", Mississauga: Blackwood Gallery, UTM, exhibition catalogue , 2001 Sarah Milroy, At home on the Grange, The Globe and Mail (Saturday, September 15, 2001) 2000 Newlands, Anne, Canadian Art from Its Beginnings to 2000, Willowdale, Ont: Firefly Books, 2000,p.36. Material Culture: Innovation in Native Art, exhibition catalogue, Great Falls, MT,2000,PP.7-13 "On this Ground" Rhode Island School of Design Museum of Art, Providence, Rhode Island, June 30-October 8, 2000. P.1-4 Newlands, Anne, "Canadian Art From its Beginnings to 2000, "(Willowdale , ON: Firefly Books, 2000) P. 36 1999 Burgess Marilyn, "The Imagined Geographies of Rebecca Belmore’"Parachute 93 (Jan, Feb,Mar 1999) Ryan Allan J.,The Trickster Shift: Humour Irony in Contemporary Native Art, Vancouver: UBC Press, 1999,PP. 43-45,64 1998 Tuer, Dot, " At the Gates," Canadian Art ( Spring 1998)P. 72-78 1996 Fleming, Kathleen, "Longing and Belonging: From the Faraway Nearby", Parachute 82 (April, May, June 1996) Temple, Power Plant Exhibition Catalogue, 1996 "Temple"-The Power Plant exhibition catalogue Ca (1996) from exhibiton "Liaisons" Red River Crossings Contemporary Native American Artists respond to Peter Rindisbachter (1806+834) P. 36-39 (1996) 1995 Mitchell, Charles Dee, "Introducing SITE Santa Fe", Art in America, (October, 1995) "Longing Belonging: from the Faraway Nearby", Site Santa Fe exhibition catalogue 1995 P. 8,9, 138 Valaskakis, Gail Guterie and Marilyn Burgess, Indian Princess and Cowgirls: Stereotypes from the Rronter (Montreal, QC:OBORO, 1995 Fivesisters Bookwork 1994 Laurence, Robin, Rebecca Belmore:Wana-na-wang-ong_, Canadian Art (Spring 1994 Townsend-Gault, Charlotte, "Rebecca Belmore," Parachute 74 (April, May, June 1994) Baret, Renee, "Margines of Memory, Rebecca Belmore, Marlene Creates, Sarinaar Dhaliwal, Wyn Geleynse, Jan Peacock, Jin –Me Yoon, Sharyn Yuen ( Windsor, , ON: Art Gallery of Windsor, 1994 1993 Rushing, W. Jackson, "Contingent Histories, Aesthetic Politics", New Art Examiner (March 1993) Sharman, L, "Making Art in the State of Texas", Fuse, Volume 51 Tourbin, Dennis, "Visual Cadence", Artscraft, Volume 1 No 4 Townsend-Gualt, Charlotte, "Having Voices and Using Them", Arts Magazine (February 1991) Townsend-Gualt, Charlotte, "Rebecca Belmore" Parachute 74 (April, May, June 1994) Watson, Scott, "Whose Nation?", Canadian Art (Spring 1993) Weiss, Rachel, "Interrogating Identity", High Performance No. 56 (1991) Wana-na wang-ong: Rebecca Belmore; Poetry by Florene Belmore, essay by Lee-An Martin (Vancouver, BC: Contemporary Art Gallery), 1993. 1992 Phillips, Ruth, "Woodlands Indian Souvenir Art as Visual Text", Reinventing Iconology in the Post-Colonial Age", Texts 8 (summer 1992) Nemiroff, Dina Robert Houle and Charlotte Townsend-Gault, "Land Spirit, Power" First Nations at The National Gallery of Canada (Ottawa, Ontario; National Gallery of Canada, 1992) P. 114-119. Riddle, Mason, "Rebecca Belmore", High Performance is (Winter 1992) P. 24-25 1991 Podedworny, Carol, "Okanata", C Magazine, No. 32 (Fall 1991) Belmore, Rebecca, _Autonomous Aboriginal High-tech Teepee Trauma Mama", Canadian Theatre Review, No. 58 (Fall 1991) Weiss, Rachel, "Interrogating Identity", High Performance No. 56 (1991) Young Man, Alfred, "The Savage Civilian and the Work of Rebecca Belmore", In Daina Augaitis and Sylvie Gilbert, eds., Between Views (Banff, Alberta: Walter Phillips Gallery, 1991)PP.37-39. Townsend-GaulT, Charlotte, "Having voices and using them", Arts Magazines (Feb. 1991) P. 65-70. 1990 Lacey, Liam, "Native artist puts new spin on the western", The Globe and Mail, (September 22, 1990) ‘A New Century’ for city and public art: Faret Tachikawa Art Project, "I wait for the sun", P. 82, 205 RESIDENCIES 2002 Belkin Satellite, Vancouver, BC The Caribbean Contemporary Arts Centre, Trinidad, performance: Crimes of Passion in Paradise and Beyond 1997 Apocalypso, Banff Centre for the Arts, Banff, AB, Faculty |