Holly King EDUCATION 1979-81         Master of Fine Art, Studio Art, York University, North York, Ontario 1976-79         Bachelor of Fine Art, Studio Art, Laval University, Quebec 1974-76         D.E.C., Arts Plastiques, Dawson College, Montreal SOLO EXHIBITIONS 2001         Landscapes of the Imagination, Art Gallery of Mississauga, Mississauga, Ontario 2000         Centre d’expression St. Hyacinthe, St. Hyacinthe, Quebec 2000         Landscapes of the Imagination, Galerie d’art de l’Université de Sherbrooke 2000         The Forest of Enchantment, Leo Kaman Gallery, Toronto 1999         Musée des beaux-arts de Montréal, Montreal 1998         Landscapes of the Imagination, Canadian Museum of Contemporary Photography, Ottawa 1998         Galerie Parallèle, Montreal 1998         Galerie Verticale, Laval, Quebec 1995         Imprisoned in the Viewless Winds, Costin and Klintworth Gallery, Toronto 1993         The Mining Project, Costin and Klintworth Gallery, Toronto 1993         Galerie Ville de Grasse, Grasse, France 1993         Holly King: oeuvres choisis, 1983-1993, Musée de Joliette, Joliette, Quebec 1991         The Gardens, Galerie Brenda Wallace, Montreal 1990         The Gardens, Costin and Klintworth Gallery, Toronto 1990         Galerie Bob Van Orsouw, Zurich, Switzerland 1989         YYZ, Toronto 1989         Centre Vu, Quebec 1989         Galerie Dazibao, Montreal 1988         University of Sherbrooke Art Gallery, Sherbrooke, Quebec 1987         Laval University Art Gallery, Quebec 1987         Southern Alberta Art Gallery, Lethbridge, Alberta 1987         Stride Gallery, Calgary, Alberta 1986         John A. Schweitzer Gallery, Montreal 1985         Galerie Dazibao, Montreal 1983         Galerie Graff, Montreal 1981         Galerie Articule, Montreal 1980         La chambre blanche, Quebec 1979         La chambre blanche, Quebec GROUP EXHIBITIONS 2000         Le cadre, la scène, et le site, The Mexico Photography Centre, (Occurrence gallery, Montreal);                 travelled to various venues in Central America 2000         Alfred Hitchcock, Musée des beaux-arts de Montréal, Montreal 2000         Architexture (curated by Gary Michael Dault), Archive Gallery, Toronto 1999         Redefining the Still Life: selections from the permanent collection, Leonard and Bina Ellen Art Gallery,                 Concordia University, Montreal 1999         True North: Contemporary Canadian Landscape, Kaoshsiung Museum of Fine Arts, Taiwan 1998         Passage(s), Centre international d’art contemporain, Montreal (travelling exhibition) 1998         Temps Composés, Musée de Joliette, Joliette, Quebec 1997         Fifth Anniversary Exhibition, Leonard and Bina Ellen Gallery, Montreal 1995         Staging, San Diego State University Gallery, San Diego, and The Saidye Bronfman Centre Gallery, Montreal 1994         Hidden Values, Musée d’art contemporain, Montreal 1994         La performance au Québec/ Tour d’horizon, Université Laval, Montreal 1993         De la perspective … dans l’art contemporain, Centre d’exposition du Vieux Palais, St. Jérome, Quebec 1993         Bestiaire, Parachute, Montreal 1993         Reflecting Paradise, Expo 1993, Taejon, Korea; travelled in the Orient 1992         Beau, Canadian Museum of Contemporary Photography, Ottawa 1992         Diagonales, Les Cents Jours, Centre international d’art contemporain, Montreal 1992         Gallery Artists, Galerie Brenda Wallace, Montreal 1992         Dialogues, CIAC, Montreal 1991         Festival des filmes des femmes, Cinémathèque Québecoise, Montreal 1990         Recent Acquisitions, Montreal Museum of Fine Arts, Montreal 1990         Lointain de l’imaginaire, Galerie Latitude, Nice, France 1990         Constructed Spaces, The Photographic Resource Centre, Boston 1990         Expressions Plurielles, Musée du Québec, Quebec 1989         Babel: Tentative d’une orientation, Basel Art Fair, Basel, Switzerland 1989         Art Jonction International, Galerie Latitude, Nice, France 1989         La réalité reconstruite, Universite de Montreal Galerie d’art, Montreal 1988         Quebec ‘88, Art Gallery of Ontario, Extension Department 1988         Paysages, Contemporary Art Gallery, Vancouver; Centre Eye, Calgary; YYZ, Toronto 1987         10th Anniversary Exhibition, La Chambre Blanche, Quebec 1987         Summer at Costin and Klintworth Gallery, Costin and Klintworth Gallery, Toronto 1986          Lumières: Perception/ Projection, CIA, Les Cents Jours, Montreal 1986         La magie de l’image, Musée d’art contemporain, Montreal; travelled to Walter Phillips Gallery, Banff, Alberta;                 Musée du Bas St. Laurent, Rivière du Loup, etc. 1985         Narrativité/ Performativité, Optica Gallery, Montreal 1985         Recent Acquisitions, Musée du Quebec, Quebec 1984         Situational Photography,  San Diego State University Art Gallery, San Diego; travelled to Herron Gallery,                 Indiana State University; Indianapolis; California State College, San Bernardino, California 1984         Fragments: La photographie actuelle au Quebec, Centre Vu, Quebec 1983         New Image Photography, 49th Parallel Gallery, New York; travelled to Saidye Bronfman Centre, Montreal 1983         Recent Acquisitions, Musée du Québec, Quebec 1983         Quebec Photography, Department of External Affairs, Ottawa; travelled to Spain, Romania, France, England, India, Brazil, etc. 1983         Quebec Photography Invitational, Saidye Bronfman Centre, Montreal PERFORMANCES 1981         Two Characters II, Garange Arts and Performance, Toronto 1980          “Two Characters, Véhicule Gallery, Montreal; La Chambre blanche, Quebec; International Sculpture Festival, Chicoutimi, Quebec 1979         Dialogue vers un obscurcissement, with Cyril Reade, Montréal Festival Hors Jeux, Musée d’art contemporain, Montreal 1979         Photo-réalisme, Quebec Festival l’objet fugitif, La chambre blanche, Quebec 1979         Behind the Mask I am Invisible, La chambre blanche, Quebec 1978         Variation sur blanche et sienne II, with Cyril Reade, La chambre blanche, Quebec 1978         Variation sur blanche et sienne, with Cyril Reade, La chambre blanche, Quebec GRANTS and AWARDS 1999         “A” Grant, Conseil des arts et des lettres du Québec 1998         “A” Grant, Canada Council for the Arts 1997         “A” Grant, Conseil des arts et des lettres du Québec 1995         “A” grant, Conseil des arts et lettres du Québec BIBLIOGRAPHY Note: an asterisk (*) following an entry indicates an exhibition catalogue or brochure. Beau. Ottawa: Canadian Museum of Contemporary Photograpy, 1992.* Bentley-Mays, John. “Hidden Values.” The Globe and Mail (Toronto), 26 November 1994. Bentley-Mays, John. “Paysages.” The Globe and Mail, 9 July 1988. Bogardi, Georges. “Holly King.” Canadian Art (Toronto) (Spring 2000). Boulaine, Chantal. Scénarios. 1985. Campeau, Sylvain. Chambres obscures: photographie installation. 1995. Campeau, Sylvain. Plaques sensibles. 1990. Dagenais, Francine. “Holly King Focus.” Canadian Art (Toronto) (December 1989). Dagenais, Francine. “Holly King.” Parachute (Montreal), no. 92 (automne 1998). Dault, Gary Michael. “Holly King.” Canadian Art (Toronto) (Summer 1996). Dault, Gary Michael. “Holly King.” CV Photo (Fall 1998). Dault, Gary Michael. “Holly King.” CV Photo (Winter 1999). Dault, Gary Michael. “Loss Leaders.” Canadian Art (Toronto) (Spring 1999). De la perspective dans l’art contemporain. St. Jérome, Quebec: Centre du Vieux Palais, 1993.* Dessureault, Pierre. Landscapes of the Imagination. Ottawa: Canadian Museum of Contemporary Photography, 1998.* “Diagonales Montreal.” Parachute (Montreal) (1992). Escamel, François. “Holly King: Lieux Proches et Lointains.” Vie des arts (Montreal) (hiver 1994). Evans-Clark, P. “Lumières: Perception/ projection.” ArtPresse (November 1986). Fisher, Jennifer. “Holly King.” Parachute (Montreal), no. 57 (janvier 1990). Fragments: La photographie actuelle au Quebec. Quebec: Centre Vu, 1985.* Gopnik, Blake. “Romantic fake landscapes implicate viewer in illusion.” The Globe and Mail (Toronto), November 1999 Hagen, Charles. “Lumières: Perception/ projection.” Artforum (New York) (November 1986). Haraldsson, Arni Runar. “Paysages.” C Magazine (Toronto) (June 1988). La magie de l’image. Montreal: Musée d’art contemporain, 1984.* Lamarche; Bernard. “L’éloge de l’ombre.” Le Devoir (Montreal), 10 October 1999. Lamoureux, Johanne. “Bestiaire.” Parachute (Montreal), no. 73 (1994). Lehmann, Henry. “Eerie Landscapes Conjure Fantasies.” The Gazette (Montreal) 2 October 1999. Lumières: Perception/ Projection. Montreal: Centre international d’art contemporain, 1986.* Lutz-Walthard, Catherine. Babel 2. Bauetappe. 1980.* Magnani, G. Lumières: Perception/ projection.” Flash Art (New York) (December 1986). Molter, M. “Holly King: Landscapes of the Imagination.” Vie des arts (Montreal) (automne 1998). “La nuit, théatre et arts visuels songent ensembles.” Le Devoir (Montreal), 23 July 1994. Passage(s). Montreal: Centre international d’ art contemporain, 1992.* Paysages. Montreal: Galerie Dazibao, 1987.* “Paysages.” Canadian Art (Toronto) (Winter 1988). Tangereau, Jean. “La performance au Québec.” In OKanada: Original texts for German-language catalogue of the OKanada exhibition at Akademie der Künste, Berlin, 5 December 1982 to 30 January 1983. Ed. by Robert Stacey. Ottawa: The Canada Council/ Conseil des arts du Canada, 1985, p. 264, 266.* Performances: Festival l’object fugitif. Quebec: La chambre blanche, 1980.* Tousley, Nancy. “Holly King.” Calgary Herald, 12 February 1987. Vetrocq, Marcia E. “Report from Montreal.” Art in America (New York) (November 1991).