Sarah Stevenson SOLO EXHIBITIONS 2000         (three shapes), independent project with The Gallery of Saidye Bronfman Centre for the Arts, Montréal 1999         Almost Invisible, Southern Alberta Art Gallery, Lethbridge, Alberta                 Galerie René Blouin, Montréal 1998         Galerie René Blouin, Montréal 1996         Galerie René Blouin, Montréal 1995         Galerie René Blouin, Montréal 1993         Galerie René Blouin, Montréal 1992         Galerie René Blouin, Montréal                 Plug In Inc., Winnipeg, Manitoba 1991         Forest City Gallery, London, Ontario 1990         Kingston Artists' Association Inc., Kingston, Ontario                 Oboro, Montréal                 Nothing Up My Sleeve, Mercer Union, Toronto, Ontario 1987         Without Language, YYZ, Toronto, Ontario                 Articule, Montréal GROUP EXHIBITIONS 2001         Paysages, Galerie René Blouin, Montréal                 Artcité, Musée d’art contemporain de Montréal 2000         Snapshot, The Contemporary Museum, Baltimore, Maryland USA                 London Biennale 2000, Internet and various locations in London, England                 The Very Thing, Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia 1999         Redefining the Still Life, Selections from the permanent collection/La nature morte: oeuvres tirées de la collection                 permanente, Leonard & Bina Ellen Art Gallery, Concordia University, Montréal 1998         Between Body and Soul, Leonard & Bina Ellen Art Gallery, Concordia University, Liane and Danny Taran Gallery,                 Saidye Bronfman Centre for the Arts, Montréal                 El origen de las cosas, Salas de las Custodias, Santafé de Bogotà, Colombie 1997         From head to toes, Ursula Blickle Stiftung, Kraichtal, Germany; Kunstraum Innsbruck, Innsbruck, Austria; The                          Burgenländische Landesgalerie, Eisenstadt, Austria                 L'origine des choses, Winnipeg Art Gallery, Winnipeg, Manitoba                 La collection Prêt d’oeuvres d’art, acquisitions 1997, Musée du Québec, Québec                 Brancusi - Une fiction de l’atelier, Axe NÉO-7, Hull, Québec 1996         L’Écart, Centre d’art contemporain La Ferme du Buisson, Noisiel, France                 Ginette Légaré, Lucie Robert, Sarah Stevenson, Glendon Gallery, Glendon College, Ontario,                 York University, North York, 1995         A Notion of Conflict - A selection of contemporary Canadian art, Stedelijk Museum, Amsterdam                 The Table Project, The Power Plant, Toronto, Ontario 1994         Perspective (Sarah Stevenson, Carlo Cesta), Art Gallery of Ontario, Toronto                 L'origine des choses, Musée d'art contemporain de Montréal, Montréal itinerary :                 Oakville Galleries, Oakville, Ontario;                 The Ottawa Art Gallery, Ottawa, 1995]                 Séduction: Jana Sterbak, Sarah Stevenson, Javier Pérez, Galerie René Blouin, Montréal                 Choix d'acquisitions récentes de la collection permanente / From the permanent collection:                 a selection of recent acquisitions, galerie d'art Leonard & Bina Ellen, Université Concordia, Montréal 1993         Prospect 93, Frankfurter Kunstverein, Schirn Kunsthalle Frankfurt, Frankfurt, Germany 1992         34 Raume, Berlin, Germany 1989         Beyond Surface, Western Front, Vancouver, B.C.. 1988         Studio Escalier A, Vancouver, B.C. 1987         Artropolis, Vancouver, B.C. 1985         Heart Breakaway, Walter Phillips Gallery, Banff, Alberta                 Women in This Decade, Robson Square Media Centre, Vancouver, B.C. COLLECTIONS Canada Council Art Bank, Ottawa Crédit Lyonnais Canada, Montréal Musée d'art contemporain de Montréal, Montréal La collection prêt d'oeuvres d'art du Musée du Québec, Québec Galerie d'art Leonard & Bina Ellen, Montréal Collection Lambert, Avignon, France Private Collections PROFESSIONAL EXPERIENCE 1988       Teacher, Ontario College of Art GRANTS 2001                 Canada Council Paris Studio 2000                 ‘B’ Grant, Canada Council 1999                 Studio du Québec à New York, Conseil des arts et des lettres du Québec 1998                 'B' Grant, Canada Council 1996                 'B' Grant, Conseil des arts et des lettres du Québec 1994                 'B' Grant, Conseil des arts et des lettres du Québec 1992                 'B' Grant, Canada Council 1990                 Artistic Practice Grant, type 'B', Ministère des Affaires culturelles du Québec 1989                 ‘B’ Grant, Canada Council 1988                 ‘B’ Grant, Canada Council 1987                 Project Grant, Canada Council                         Materials grant, Ontario Arts Council 1986                 Project Grant, Canada Council BIBLIOGRAPHY CATALOGUES: Almost Invisible, text by Michael Tarantino, Southern Alberta Art Gallery, Lethbridge, Alberta, 2001 Snapshot, text by Adam Lerner, The Contemporary Museum, Baltimore, Maryland, USA, 2000 The Very Thing, text by Susan Gibson Garvey and Robin Metcalfe,Dalhousie Gallery, Dalhousie University, Halifax, Nova Scotia, 2000 Between Body and Soul/Entre Corps et Âme, text by Karen Antaki and David Liss, Leonard &Bina Ellen Art Gallery, Concordia University, Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montréal, 1999 Von Kopf Bis Fuss, Ursula Blickle Stiftung, Kraichtal, Editions Stemmle, 1997 L’Écart, text by Daniel Dobbels, Centre d’art contemporain de La Ferme du Buisson, Noisiel, France, 1996 Ginette Légaré, Lucie Robert, Sarah Stevenson, Glendon Gallery, Glendon College, York University, City of North York, 1996 Notion of Conflict A Selection of Contemporary Canadian Art, text by Dorine Mignot, Stedelijk Museum, Amsterdam, 1995, ill. p. 35 Perspective 94, text by Christina Ritchie, Art Gallery of Ontario, Toronto, 1994 L'origine des choses, text by Pierre Landry, Musée d'art contemporain de Montréal, 1994, ill. pp. 39-40-41 Prospect 93, text by Peter Weiermair, Frankfurter Kunstverein et Schirn Kunsthalle Frankfurt, Frankfurt, Germany, 1993, ill. pp. 235-236-237 Townsend, Martha; Sarah Stevenson (interview), Mercer Union, Toronto, 1990PERIODICALS: Lammerich, Yvonne "Why does terror seem so intimate?", Etc, No 54, eté 2001 pp.48-52 Lehman, Henry;"Cyber exhibition has global ambitions" The Gazette, Montréal, August 12, 2000 Gopnik, Blake;"Remaking The World In Our Image", Globe and Mail, February 9, 2000, p. R10 Workman, Sharon;"Sculpture’s The Thing", Halifax Chronicle-Herald, January 16, 2000 Kozinska, Dorota; "Belgo Shows are Beacons Amid Visual Clutter", The Gazette, Montréal, Saturday, May 29, 1999, p.J5 Mavrikakis, Nicolas;" Le corps réinventé", Voir, Montréal, 19 to 25 November 1998, p. 75 Lehman, Henry:"Artists Construct Fantasy Selves", The Gazette, Montréal, November 21, 1998 Couelle, Jennifer; "Encore le corps mais cette fois, éthéré", La Presse, Montréal, le samedi 14 novembre 1998, p.D16 Lamarche, Bernard; "Corps physique", Le Devoir, Montréal, les samedi 5 et dimanche 6 décembre 1998, p. B8 Kolodiejchuk, Jacqueline;"Bodies of Work", The Link, Montréal, November 6, 1998 Catchlove, Lucinda;" Luminous pain", Hour, Montréal, September 5-11, 1996, p. 25 Liss, David; "Peculiar, perceptive, promising : Vitality in works by Stevenson, Goodwin, Ocampo and Fisher", The Gazette, Montréal, Saturday, February 25, 1995, p. H6 Cummins, Louis; "La fin des complicités", Parachute, No. 77, janv., fév., mars 1995, pp.27-32 MacKay, Gillian; "Perspective 94: Carlo Cesta and Sarah Stevenson", Canadian Art, Winter 1994, Vol. 11, No. 4, pp. 78-79 Girling, Oliver; "The ghetto is ourselves", Eye, November 17, 1994 Hume, Christopher; "Wrought with contradictions", The Toronto Star, Thursday, November 3, 1994 Taylor, Kate; "A complacent patient", The Globe and Mail, Tuesday, November 15, 1994 Aquin, Stéphane; "L'origine des choses - ligne de conduite", Voir, Montréal, du 27 octobre au 2 novembre 1994, p. 63 Cron, Marie-Michèle; "Les choses de la vie", Le Devoir, Montréal, les samedi 29 et dimanche 30 octobre 1994, p. D11 Duncan, Ann; "In support of young artists", The Gazette, Montreal, Saturday, October 22, 1994, Duncan, Ann; "Once more, Sterbak aims to unsettle", The Gazette, Montréal, June 18, 1994 Bradley, Jessica; "Sarah Stevenson", Canadian Art, Vol. 10, no. 4, Winter/December 1993, p.69 "Stevenson scales down with clothing exhibition", The Uniter, Winnipeg, 28 octobre 1992, p.8 Gillmor, Alison; "Art explores cruel constrictions", Winnipeg Free Press, Saturday, October 17, 1992, p. 36 Gravel, Claire; "Oboro: Sarah Stevenson", Le Devoir, avril 1990 "Women Photographers of British Columbia", West Coast Review, Vol.20, June 1985, pp.20-21 PERIODICALS: Lammerich, Yvonne "Why does terror seem so intimate?", Etc, No 54, eté 2001 pp.48-52 Lehman, Henry;"Cyber exhibition has global ambitions" The Gazette, Montréal, August 12, 2000 Gopnik, Blake;"Remaking The World In Our Image", Globe and Mail, February 9, 2000, p. R10 Workman, Sharon;"Sculpture’s The Thing", Halifax Chronicle-Herald, January 16, 2000 Kozinska, Dorota; "Belgo Shows are Beacons Amid Visual Clutter", The Gazette, Montréal, Saturday, May 29, 1999, p.J5 Mavrikakis, Nicolas;" Le corps réinventé", Voir, Montréal, 19 to 25 November 1998, p. 75 Lehman, Henry:"Artists Construct Fantasy Selves", The Gazette, Montréal, November 21, 1998 Couelle, Jennifer; "Encore le corps mais cette fois, éthéré", La Presse, Montréal, le samedi 14 novembre 1998, p.D16 Lamarche, Bernard; "Corps physique", Le Devoir, Montréal, les samedi 5 et dimanche 6 décembre 1998, p. B8 Kolodiejchuk, Jacqueline;"Bodies of Work", The Link, Montréal, November 6, 1998 Catchlove, Lucinda;" Luminous pain", Hour, Montréal, September 5-11, 1996, p. 25 Liss, David; "Peculiar, perceptive, promising : Vitality in works by Stevenson, Goodwin, Ocampo and Fisher", The Gazette, Montréal, Saturday, February 25, 1995, p. H6 Cummins, Louis; "La fin des complicités", Parachute, No. 77, janv., fév., mars 1995, pp.27-32 MacKay, Gillian; "Perspective 94: Carlo Cesta and Sarah Stevenson", Canadian Art, Winter 1994, Vol. 11, No. 4, pp. 78-79 Girling, Oliver; "The ghetto is ourselves", Eye, November 17, 1994 Hume, Christopher; "Wrought with contradictions", The Toronto Star, Thursday, November 3, 1994 Taylor, Kate; "A complacent patient", The Globe and Mail, Tuesday, November 15, 1994 Aquin, Stéphane; "L'origine des choses - ligne de conduite", Voir, Montréal, du 27 octobre au 2 novembre 1994, p. 63 Cron, Marie-Michèle; "Les choses de la vie", Le Devoir, Montréal, les samedi 29 et dimanche 30 octobre 1994, p. D11 Duncan, Ann; "In support of young artists", The Gazette, Montreal, Saturday, October 22, 1994, Duncan, Ann; "Once more, Sterbak aims to unsettle", The Gazette, Montréal, June 18, 1994 Bradley, Jessica; "Sarah Stevenson", Canadian Art, Vol. 10, no. 4, Winter/December 1993, p.69 "Stevenson scales down with clothing exhibition", The Uniter, Winnipeg, 28 octobre 1992, p.8 Gillmor, Alison; "Art explores cruel constrictions", Winnipeg Free Press, Saturday, October 17, 1992, p. 36 Gravel, Claire; "Oboro: Sarah Stevenson", Le Devoir, avril 1990 "Women Photographers of British Columbia", West Coast Review, Vol.20, June 1985, pp.20-21